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In other words, if you just need a simple envelope for the sync, you wonвЂ™t have to assign one of AvengerвЂ™s envelopes to the task at hand.Д¬licking the waveform name above its display brings up a menu from which you can select other waveforms and types of functionality. Also, a slider control beneath the sync knob sets the envelopeвЂ™s speed. I thought this was a very useful addition. It can either ramp up or down depending on if it is turned to the left or right. It has four different sync settings available, and an inner ring on the sync control will let you add an envelope for the sync. Adjusting the sync control will change the pitch of an extra oscillator (it uses a sine wave) that is synced with the oscillator with which youвЂ™re working. The Bits/Rate control will reduce the bit depth, sampling rate, or both at once. X-Side will shape/warp the waveform you have loaded, and the Formant is for adjusting the pulse width and works on any of the waveforms. Over on the right side, there are a few more controls. The rate can be set normally or it can be set using one of the seven other presets which use certain intervals. Each of these has twelve different waveforms that can be chosen for the modulator. It also has a bit rate reducer you can adjust.ДЄlong the bottom of the oscillator section are the FM and AM controls. The Noise control has three stereo width settings and its inner ring lets you smoothly blend between white, pink or brown noise. The amount of these two types of detuning depends on far you turn the inner ring to the left or right. Turning it to the right will add an alternating min/max amount of fine detuning. Turning that ring to the left will add a random amount of fine detuning which could (for example) be used for an analog type of preset. The вЂњFineвЂќ control has an inner ring similar to the Level control. Some of these include Level (also controls panning with its inner ring), Transpose (+/- 48 semitones and Fine tuning). When you first add an oscillator, it has its own set of controls along its perimeter. TheyвЂ™ve add handy mute and solo buttons on each of the tabs, so once you have a few oscs loaded up, you can (for instance) solo the one youвЂ™re working with at the moment. Near the top of the display is an additional control bar that lets you cut the low or high frequencies for the oscillator by dragging either end of the bar to the left or right. Also, you can rename the tabs to whatever you want to keep things organized. One good point to make for this type of design is that it packs a lot of power into a smaller space. Since it itвЂ™s a tabbed design, you can only see one at time. As you add more oscs, it may get a little confusing as to which one is which. If you want to add another osc, you just click the вЂњ+вЂќ sign on the right side of the tab. Clicking either the Oscillator or Drums tab will switch between them. This area of the display shares the space with the drums that are built-in to Avenger (more on that subject later). Each of them is added one at time, so you donвЂ™t have to have more than what you really need for a particular sound youвЂ™re designing. In Avenger you can use up to eight oscillators at once.

The installer includes VST2, VST3, AU and AAX versions.

For the Mac (Intel-based only) youвЂ™ll need at least a 2.5 GHz CPU, 8 GB of RAM, and OS X 10.8-10.13.

Avenger is 64-bit only, so it will require a 64-bit DAW.ДЇor the PC youвЂ™ll need at least a 2.5 GHz CPU, 8 GB of RAM, OpenGL 3.2 capable GPU, and Windows 7 or higher.

You can install it on up to three computers at once.

After thatвЂ™s all set, you can download the key-file and a large file (4.7 GB) which has the content to use with Avenger.

After youвЂ™ve purchased Avenger, you receive a serial number that you must register on the site. Installation is simple вЂ“ it just uses a key-file that must be downloaded from their website. I will try to touch on the more important parts of VPS Avenger in this review.

There is much more to it than that, but that should whet your appetite for more. It is a challenge to try and sum up what is included in Avenger, but here is my attempt: Nearly 600 wavetables, thousands of waveforms, hundreds of resampler and other special samples, powerful routing, sample import functionality, 47 filter types, drag-and-drop modulation, a vectorized re-sizable GUI, multiple arps and step sequencers, sixteen sub-outs, and over 900 presets. Avenger is collaboration between Vengeance-Sound and Keilwerth Audio. I think of it as a collection of tools within one plugin that has nearly anything I would ever want to synthesize and shape a sound. It really does describe this all-in-one type of synth from Vengeance-Sound. If you havenвЂ™t heard of VPS Avenger, you might be wondering what the вЂњVPSвЂќ in the name conveys. VPS Avenger is a monster synth plugin from Vengeance-Sound that is a versatile all-in-one solution for producers in many genres.

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